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She becomes his closest ally when he is severely hurt in a car crash and needs full time care, even if her paintings are not found. But it was the 2015 theft of an unknown artist’s paintings in Oslo that may have yielded the most fascinating art-theft ending yet. The film had its world premiere at the Sundance Film Festival on January 23, 2020, where it won the World Cinema Documentary Special Jury Award for Creative Storytelling. But then the tables turn. Apr 4, 2017 - Výstava českých i světových umělců. … After his arrest, Kysilkova confronts him gingerly in the courtroom about the whereabouts of The Swan Song. An artist befriends the thief who stole her paintings. Finally, after several days, it’s finished: The Swan Song. When two of artist Barbora Kysilkova’s most valuable paintings are stolen from a gallery at Frogner in Oslo, the police are able to find the thief after a few days, but the paintings are nowhere to be found. Open mind pays. The scene is reminiscent of a passage in Ben Lerner’s Leaving the Atocha Station, in which the protagonist, Adam, witnesses another man break “suddenly into tears, convulsively catching his breath” while looking at Roger Van der Weyden’s Descent From the Cross in the Prado Museum. Barbora Kysilkova's painting 'Chloe and Emma' (Neon/Hulu) The connection grew deeper when she confronted him. That’s as brief description as possible. But then the tables turn. After publishing her true story, she became famous. Art heists “The Painter and the Thief” documents an extraordinary true story. Before his trial, Kysilkova talks to Karl Bertil-Nordland, the convict and drug dealer who stole her artwork. Their relationship went through many changes from there. Also featured in the exhibition is Chloe & Emma, a 2013 photorealistic oil painting by Barbora Kysilkova that was stolen from an Oslo gallery in April 2015. "The Painter and the Thief," by Norwegian filmmaker Benjamin Ree, is about a Czech painter, Barbora Kysilkova, who has two of her paintings stolen from an Oslo gallery in April 2015. Prints from $45. Barbora goes to the trial in hopes of finding clues, but instead she ends up asking the thief if she can paint a portrait of him. The Painter and the Thief documentary makes its New Zealand premiere at Doc Edge at The Civic on Sunday 22 November before its theatrical release in 2021. Doch der Raub lässt Kysilkova nicht los. Barbora goes to the trial in hopes of finding clues, but instead she ends up asking the thief if she can paint a portrait of him. “The Painter and the Thief” is a dispatch from the space where a man’s life and his portrait intersect. Barbora Kysilkova is a hyper-realistic painter known for her large, dark pieces. Before his trial, Kysilkova talks to Karl Bertil-Nordland, the convict and drug dealer who stole her artwork. Der tschechischen Künstlerin Barbora Kysilkova wurden zwei Gemälde gestohlen, der Dieb gefasst und verurteilt. Boldly, she asks one of thieves if she can paint him, and he nervously agrees. After graduating from a Special Jury Prize at Sundance to wide online streaming release in May, Ree’s film has proved a hit with viewers in search of a strong dose of raw human emotion. Page 1 of 1 Start over Page 1 of 1 . Kysilkova and Nordland are engaged in a symbiotic relationship facilitated by art. Director Benjamin Ree and subject Barbora Kysilkova ("the Painter") dive into their unique cinematic process on the latest episode of the Filmmaker Toolkit podcast. A painting by Barbora Kysilkova of Karl-Bertil Nordland, as seen in The Painter and the Thief. I’d probably awkwardly avoid eye-contact with him, as if by doing so I could avoid further injury. Because I’m not a known artist that would be worth it to steal. At the time, the painter was beginning to form an unlikely friendship with Karl-Bertil Nordland, one of the men who stole two of her paintings from Gallery Nobel in Oslo, in 2015. “She sees me very well,” Nordland says, “but she forgets I can see her, too.” Because of the effort and support Kysilkova pours into Nordland’s fragile well-being, he does not remain a passive subject but blossoms into a narrator in his own right. France. Chris O'Falt Dec 2, … The Painter and the Thief. Czech artist Barbora Kysilkova shares her unbelievable true story of meeting, painting, and helping the thief who stole two of her artworks. UPDATED with video: The Neon documentary The Painter and the Thief begins with a surprising “meet cute.” After two paintings are stolen from artist Barbora Kysilkova … Barbora Bobovcakova. When it is Kysilkova’s turn to be vulnerable, having fallen on hard times, she shies away from intimacy with Nordland. Kysilkova is unwaveringly kind to Nordland, even when he’s unreliable and difficult. Benjamin Ree, courtesy of Medieoperatørene. Czech artist Barbora Kysilkova was as surprised as anyone when she received a phone call in 2015 informing her that thieves had stolen two of her paintings from a gallery in Oslo, Norway. He claims that he can’t remember where he put it, but that he took the painting because he thought that it was beautiful. Otevírací doba: denně 10.00-17.00. Synopsis. Ree’s documentary falls in a tradition of intensely emotional art that worries at the boundaries between artist and subject, fiction and reality. The fascinating documentary focuses on the Oslo-based artist Barbora Kysilkova’s friendship with Karl-Bertil Nordland, a heroin addict who stole two of her paintings from a gallery. Při hledání nejvhodnější malířské techniky k vyjádření toho, co chtěla sdělit, se umělkyně začala s hlubokým přesvědčením zaměřovat na figurální olejomalbu. Then a few years later, when the filming was almost at the end, Bertil visited me in my atelier and we spoke about why we'd agreed to be filmed. He was bored of portraying introverted people and “wanted to film people whose emotions were on the outside.” He read about the art theft in the Norwegian newspapers, and Kysilkova agreed to let him film her fourth-ever meeting with Nordland. While painting Nordland's portrait in her studio, Kysilkova grills him about the whereabouts of her missing paintings, but he insists he could not remember what he did with them. Friendship pays. An artist befriends the thief who stole her paintings. When two of artist Barbora Kysilkova’s most valuable paintings are stolen from a gallery at Frogner in Oslo, the police are able to find the thief after a few days, but the paintings are nowhere to be found. Told in "The Painter and the Thief," Kishikova's story depicts a friendship between two people from completely different backgrounds. Social Sharing The Painter and the Thief premieres at the Hot Docs virtual festival on May 28 Czech artist Barbora Kysilkova was as surprised as anyone when she received a phone call in 2015 informing her that thieves had stolen two of her paintings from a gallery in Oslo, Norway. BK: It doesn’t happen every day that someone steals your paintings. Instead of berating Bertil-Nordland, the artist tells him that she would like to paint his portrait! Adam is baffled that anyone could have such a “profound experience of art”; Ree’s movie, in contrast, is a dispatch from inside that moment of collapse. The film is all about the bond between a painter and a thief. After two paintings are stolen from artist Barbora Kysilkova in Oslo, Norway, she encounters one of the suspected thieves in court. One leaves The Painter and the Thief feeling eager to see what might happen if we were kinder and less self-interested, and convinced anew of the basic connection between paint and the human heart. BARBORA KYSILKOVA: The starting point was just my curiosity. Kysilkova and Nordland, who were both in their 30s when this film was made, did not know each other prior to the crime. Barbora Kysilkova's painting 'Chloe and Emma' (Neon/Hulu) The connection grew deeper when she confronted him. It’s not so easy to be the subject of somebody’s gaze, it turns out. The two people at the heart of the story—Barbora Kysilkova and Karl-Bertil Nordland—became close friends after he was arrested in 2015 for breaking into the Gallery Nobel in Oslo and stealing two valuable paintings that she made. “It doesn’t make sense that somebody would steal my paintings,” says Czech artist Barbora Kysilkova. The movie was only supposed to be 10 minutes long, but Kysilkova and Nordland were so good in front of the camera that it became a feature: “They are not self-aware,” Ree said. Mission Santa Barbara. After inviting her thief to sit for a portrait, the two form an improbable relationship and Barbora becomes Karl Bertil-Nordland‘s closest ally. I was quite surprised by how young Benjamin was, and how great an impression he made on me. Barbora Paintings For Sale. First, Karl Bertil-Nordland tried to steal Barbora Kysilkova’s paintings, then he became the subject of them. When two of artist Barbora Kysilkova’s most valuable paintings are stolen from a gallery at Frogner in Oslo, the police are able to find the thief after a few days, but the paintings are nowhere to be found. Barbora Kysilkova: Red wine is a very symbolic metaphor, and I’m not saying this from the perspective of a religious person, but it’s the blood of Jesus Christ, and as you can see in the painting, there is the gesture that one can think maybe Bertil is trying to get some dirt out of the glass or maybe a fly that just fell in, so [he’s] trying to purify the blood or to remove the dirt, and that’s how it came. READ MORE: * Anne Frank: Parallel Stories: Why you need to see this stunning documentary When two of artist Barbora Kysilkova’s most valuable paintings are stolen from a gallery at Frogner in Oslo, the police are able to find the thief after a few days, but the paintings are nowhere to be found. When two of artist Barbora Kysilkova’s most valuable paintings are stolen from a gallery at Frogner in Oslo, the police are able to find the thief after a few days, but the paintings are nowhere to be found. Kysilkova is a talented painter… Because I’m not a known artist that would be worth it to steal. Mary Helmreich. Hoping to learn what happened, Barbora approaches one of the thieves, Karl-Bertil Nordland, a junkie and petty crook, at his criminal hearing. Release date, December 26. Whereas Lerner’s book is about our estrangement from beauty, other people, and, ultimately, ourselves, Nordland’s face rejects the idea that art is difficult to access or feel. Inspiraci hledá v realitě, které se nechce vzdalovat. “They are natural and authentic.”. Prague > Oxford > Berlin > Oslo > currently in Depth of Swedish Forest. On April 20, 2015, thieves made off with two paintings by the young Czech painter Barbora Kysilkova, who was exhibiting at Galleri Nobel in Oslo, Norway. Courtesy of Neon Much thievery is committed with the … But when two of her paintings are stolen from a gallery in the middle of the day, she begins an unexpected journey to reclaim the most important piece in her collection. When two paintings by Czech naturalist Barbora Kysilkova are stolen from an Oslo art gallery, Norwegian authorities quickly identify and arrest the two thieves but find no trace of the paintings. In 2015, the Czech artist Barbora Kysilkova learned that two of her most prized paintings had been stolen from a gallery in Oslo, where she lives. In dueling sequences in which Barbora and Karl-Bertil describe each other’s key qualities, The Painter and the Thief illustrates how the duo’s closeness was fostered by genuine interest and empathy. With Karl Bertil-Nordland, Barbora Kysilkova, Øystein Stene. When Kysilkova shows Nordland his first portrait, something truly unusual happens: Nordland’s eyes widen, the lines on his gaunt face deepen, and his mouth falls open in a wail. But the paintings — a pair of large photorealistic works estimated to be worth 20,000 Euros — never materialize. A series of pictures of oil paintings by Barbora Kysilkova that were taken at her request for use online and on other digital platforms.. But we quickly learn that the titular thief is a man called Karl-Bertil Nordland. In 2015, two large oil paintings by the artist Barbora Kysilkova were stolen from the window displays of the Gallery Nobel in Oslo, Norway. Ships from and sold by Amazon.com. Barbora goes to the trial in hopes of finding clues, but instead she ends up asking the thief if she can paint a portrait of him. An unlikely film about beauty, fate, and the radical politics of forgiveness, The Painter and the Thief will restore your faith in human intimacy, no matter how battered that faith might be. Desperate for answers about the theft of two of her most precious paintings, Czech artist Barbora Kysilkova seeks out and befriends the career criminal who stole them. “I just felt very confused,” she recalls, “why somebody would decide to break a law in order to get my work. Directed by Benjamin Ree. Kysilkova’s paintings are worth 10,000 to 20,000 euros each, and the movie initially masquerades as a whodunnit. In shock over the proof that somebody has seen him so closely—witnessed him as he is, not as a criminal or a junkie, but as a person—Nordland breaks down in a crisis of self-recognition. Barbora goes to the trial in hopes of finding clues, but instead she ends up asking the thief if she can paint a portrait of him. HFLF: What gave you the initial idea to approach Bertil and document it? $1,575. Maenad (Bacchanalia) #22020oil on marble slab30 x 20 cm*, Opium Of Life / Off The Top Of My Head2020oil on canvas140 x 100 cm, (De opplyste) Faust2018oil on canvas150 x 110 cm*, Father & Child2019oil on canvas 170 x 130 cm*, Madonna Pruina2015/16oil on canvas140 x 100 cm*, The Pussy In You2017oil on canvas130 x 100 cm, Gregory Samsa #12018oil on copper plate30 x 20 cm, Gregory Samsa #22018oil on canvas100 x 70 cm, Decent Criminal (Snitchers Are A Dying Breed)2016oil on canvas100 x 140 cm, (I'll Never Be) Maria Magdalena2018oil on canvas180 x 140 cm, Luttspilleren2017oil on marble slab30 x 20 cm*, Chloe & Emma #1 Reconstructed2019oil on marble slab40,5 x 18 cm*, Chloe & Emma #2 Reconstructed2019oil on marble slab40,5 x 15,4 cm*, Chloe & Emma #3 Reconstructed2019oil on marble slab30,5 x 13,2 cm*, Chloe & Emma #4 Reconstructed2019oil on marble slab21,8 x 38,5 cm, Chloe & Emma2013oil on canvas150 x 230 cm, Manikarnika #5 (Midnight Tea)2019/2020oil on canvas120 x 170 cm, Manikarnika #2 (Musa)2019oil on copper plate30 x 18 cm, Manikarnika #3 (Shaving)2019oil on copper plate30 x 17,5 cm, Manikarnika #42018oil on marble slab40 x 30 cm, Manikarnika #12017oil on marble slab20 x 30 cm, Death Is Not The End2016oil on canvas 130 x 70 cm, Caught In The Air #12019oil on copper plate16 x 12 cm, Caught In The Air #22019oil on copper plate13,3 x 10 cm*, Caught In The Air #32019oil on copper plate13,3 x 10 cm*, Caught In The Air #42019oil on copper plate14 x 11 cm, Caught In The Air #62019oil on copper plate14 x 11 cm, Caught In The Air #82019oil on copper plate14 x 11 cm*, Disorder2016oil on marble slabfour plates; each 30 x 10 cm, in total 30 x 40 cm, Stillhet / Ticho2015oil on canvas100 x 140 cm, Jesus -triptych "Signs of God"2015oil on marble slab30x20 cm, Mohammed-triptych "Signs of God"2015 oil on marble slab30x20 cm, Moses-triptych "Signs of God"2015oil on marble slab30x20 cm, Pushwagner 752015oil on marble slab40 x 30 cm, ZEN (Luka in Anna's hands)2015oil on copper plate42 x 36 cm, Ø&B #32016oil on copper plate30 x 17,5 cm*, Skuespillerkunsten(front cover for Øystein Stene´s book on history of acting)2014oil on marble slab40 x 30 cm, Talk To Me #12016oil on copper plate15 x 10 cm, Talk To Me #22016oil on copper plate15 x 10 cm, The Other Cheek2014oil on marble slab40 x 30 cm, Swan Song Returned2014oil on canvas200 x 140 cm, SubRosa(inspired by novel SubRosa by Demian Vitanza) 2014oil on canvas160 x 210 cm, *Zombie Nation(book cover of novel Zombie Nation by Øystein Stene)2013oil on canvas140 x 200 cm, Virgo2011 / 2014oil on canvas180 x 130,5 cm*, Silvester 20132013/2014oil on marble slab30 x 40 cm*, Wife of Lot2013oil on marble slab20 x 30 cm, Democratization #12013oil on canvas230 x 150 cm, Gravitationally2013oil on canvas70 x 90 cm*, Modest Decadence2012oil on marble slab40 x 30 cm*, At the Barber's2010oil on marble slab30,5 x 40 cm*, The (first) joint2012oil on marble slab30 x 20 cm, At Grandma's2010oil on canvas140 x 190,5 cm, L'amour est mort, vive l'amour2011oil on canvas161 x 210 cm, Homage to Mantegna2011oil on marble slab30 x 20 cm, Saint Theresa2011oil on marble slab30 x 20 cm, 4th Mistress2011oil on canvas140 x 90,5 cm, Sagacitas2011oil on marble slab52 x 39 cm, Maenad (Bacchanalia)2010oil on marble slab30,5 x 40 cm*, Show case2009oil on marble slab30 x 50 cm, The Master and Margareta in Milano2009oil on canvas100 x 140 cm, Decent Criminal (Snitchers Are A Dying Breed), four plates; each 30 x 10 cm, in total 30 x 40 cm, (front cover for Øystein Stene´s book on history of acting), (inspired by novel SubRosa by Demian Vitanza), (book cover of novel Zombie Nation by Øystein Stene). She is the painter who painted the picture of a criminal. It’s not so easy to be the subject of somebody’s gaze, it turns out. Sign up for TNR’s Critical Mass weekly newsletter. When two of artist Barbora Kysilkova’s most valuable paintings are stolen from a gallery at Frogner in Oslo, the police are able to find the thief after a few days, but the paintings are nowhere to be found. BARBORA KYSILKOVÁ (*1983) je česká umělkyně působící v Berlíně. FREE Shipping on orders over $25.00. We have kind of bad news for you. The documentary follows the emerging friendship between the painter and her subject. $1,650 "Belt" Paintings, 23.6 W x 59.1 H x 1 D in. Forgiveness pays. “I just felt very confused,” she recalls, “why somebody would decide to break a law in order to get my work. The canvas is bigger than she is, so she must travel around its surface to fill in the details. Never Rarely Sometimes Always by Sidney Flanigan DVD $14.69. After grainy tape shows The Swan Song exhibited at a crowded gallery party—Kysilkova smiling, shy but thrilled—the film cuts to closed-circuit television footage of two thieves taking the painting out of its frame, rolling it up, and walking away. The two people at the heart of the story—Barbora Kysilkova and Karl-Bertil Nordland—became close friends after he was arrested in 2015 for breaking into the Gallery Nobel in Oslo and stealing two valuable paintings that she made. Daher lädt sie den Dieb zu sich ein, um ihr Model für ein Gemälde zu sitzen. Paintings, 12 W x 18 H x 0.1 D in. The two thieves, whose unhurried heist is captured by surveillance cameras, are caught. Exclusive to Rialto Cinemas. My complete interview with Barbora "Barbar" Kysilkova from The Painter and The Thief documentary.Visit the painter, Barbora Kysilkova's official site here. In dueling sequences in which Barbora and Karl-Bertil describe each other’s key qualities, The Painter and the Thief illustrates how the duo’s closeness was fostered by genuine interest and empathy. Or I’d try to be magnanimous and forgiving, with little success. When two of artist Barbora Kysilkova’s most valuable paintings are stolen from a gallery at Frogner in Oslo, the police are able to find the thief after a few days, but the paintings are nowhere to be found. As mentioned earlier, Barbora Kysilkova is a lady painter whereas Karl-Bertil is the thief. Kysilkova is the renowned woman from the documentary film, “The Painter and the Thief”. He didn’t expect to spend the next three years filming a feature length film. for more info about comission works and available works, contact via email As [Barbora] mentioned, I enjoy the sentence Bertil [says], “She sees me very well, but I can see her as well,” and that was really the whole point of the film — to see the His curiosity led him to Czech artist Barbora Kysilkova. The titular painter is Barbora Kysilkova, a young Czech woman who painstakingly reproduces photographic images in oils. Watching, skipping, transmission I, (tree-tree) Paintings, 72.8 W x 47.2 H x 0.8 D in. Between them, the painter and the thief build a third thing: a relationship, which becomes a mysterious source of creative inspiration for them both. The fascinating documentary focuses on the Oslo-based artist Barbora Kysilkova’s friendship with Karl-Bertil Nordland, a heroin addict who stole two of her paintings from a gallery. feeling eager to see what might happen if we were kinder and less self-interested, and convinced anew of the basic connection between paint and the human heart. The presented framings, were made in addition to a full-frame picture of the painting, and are my 'take' on the 'Picture of a Picture' subject. After an exhibition, two of artist Barbora Kysilkova’s paintings are stolen. After Karl-Bertil Nordland stole two of Barbora Kysilkova’s paintings from a gallery in Oslo, an unusual friendship was forged Books, arts and culture Prospero May 22nd 2020 The bird is curled up on the ground, safe in her own home, but there is a sense of danger, too—anything could come barreling through the greenery. And sometimes, art pays. A little mistrustful at first, Nordland agrees to sit for Kysilkova, who sketches his skinny frame as he explains how he was abandoned by his mother and got hooked on drugs, and thence to crime. This physical transformation almost makes us doubt the evidence of our eyes, giving the film an air of magic. Details . The Painter and the Thief documentary makes its New Zealand premiere at Doc Edge at The Civic on Sunday 22 November before its theatrical release in 2021. FREE Shipping on orders over $25.00. "It's like I dropped all my weapons that I possibly could have. This will be the start of a very unusual friendship. When two of artist Barbora Kysilkova’s most valuable paintings are stolen from a gallery at Frogner in Oslo, the police are able to find the thief after a few days, but the paintings are nowhere to be found. Barbora Kisilkova is a Czech painter. The Painter and the Thief is the story of how Norwegian painter Barbora Kysilkova befriended the man who stole her works from a gallery in Oslo. It follows the artist Barbora Kysilkova as she forms a friendship with Karl Bertil-Nordland, a man who stole her artwork. Barbora Kysilkova's painting 'Chloe and Emma' (Neon/Hulu) The connection grew deeper when she confronted him. Details. Czech artist Barbora Kysilkova shares her unbelievable true story of meeting, painting, and helping the thief who stole two of her artworks. Filmmaker Benjamin Ree has a niche obsession with art thievery – apparently not that rare an occurrence in Norway – and so contacted Barbora Kysilkova immediately when he came across her theft. Kysilkova and Nordland are engaged in a symbiotic relationship facilitated by art. Barbora goes to the trial in hopes of finding clues, but instead she ends up asking the thief if she can paint a portrait of him. Member of Norske Biledkunstnere and Unge Kunstneres Samfunn. Nordland’s harrowing reaction to his portrait is natural—an unmediated response to seeing himself faithfully reflected. Before Barbora Kysilkova ever met the man who stole her paintings, she knew she wanted to paint him. In April of 2015, her two most valuable, large-format paintings are stolen - with care - in broad daylight from the windowfronts of Galleri Nobel in Oslo's city center. A young woman stands in front of a canvas, painting a swan nestling in tall reeds. Customers who viewed this item also viewed. When it is Kysilkova’s turn to be vulnerable, having fallen on hard times, she shies away from intimacy with Nordland. Then a few years later, when the filming was almost at the end, Bertil visited me in my atelier and we spoke about why we'd agreed to be filmed. Over the course of his recovery, Nordland looks like a completely different person: Once a sketchy and bespectacled gangster, by the end he has a man bun and resembles a Viking hunk. She becomes his closest ally when he is severely hurt in a car crash and needs full time care, even if her paintings are not found. It’s hard to imagine what you’d do in Barbora’s shoes, when confronted with the thief who stole two of your best paintings (and says he forgot where he put them). The Painter and the Thief is a 2020 Norwegian documentary film directed by Benjamin Ree. Barbora goes to the trial in hopes of finding clues, but instead she ends up asking the thief if she can paint a portrait of him. … Jo Livingstone is a staff writer at The New Republic. Photograph: Barbora Kysilkova/AP F ascinating, confounding and continually surprising, this Sundance prize-winning documentary takes a casual crime – the impulsive theft of two paintings … These are the first moments of The Painter and the Thief, a documentary by the Norwegian director Benjamin Ree. And that took her by surprise. The documentary follows the emerging friendship between the painter and her subject. It starts off with a high-concept premise: Czech artist Barbora Kysilkova met Karl-Bertil Nordland, a thief who stole her paintings from an Oslo gallery, and while he was still awaiting trial she asked him to pose for her drawings. Painting of Karl-Bertil Nordland by Barbora Kysilkova as featured in The Painter and the Thief. Barbora goes to the trial in hopes of finding clues, but instead she ends up asking the thief if she can paint a portrait of him. When she asked why he took the paintings away, he said, "Because they were beautiful." Czech artist Barbora Kysilkova was as surprised as anyone when she received a phone call in 2015 informing her that thieves had stolen two of her paintings from a gallery in Oslo, Norway. I was quite surprised by how young Benjamin was, and how great an impression he made on me. Instead of berating Bertil-Nordland, the artist tells him that she would like to paint his portrait! The movie then transforms from a noirish detective story into a project mapping the place where art collides with human relationships. We soon learn those paintings belong to a Czech artist named Barbora Kysilkova, and that those two paintings—valued at about €20,000—were some of her most prized works. It turns out to be an unexpected tale of redemption for both of them. It was such a direct, honest answer that came so suddenly." It is also the recipient of the 2020 Sundance Film Festival. Barbora goes to the trial in hopes of finding clues, but instead she ends up asking the thief if she can paint a portrait of him. BARBORA KYSILKOVA: The starting point was just my curiosity. Stars: Barbora Kysilkova, Karl Bertil-Nordland, Øystein Stene. Photograph: Barbora Kysilkova/AP I n 2015, a pair of thieves broke into an Oslo art gallery in broad daylight and stole two hyperrealist paintings by the Czech painter Barbora Kysilkova. Ships from and sold by Amazon.com. A similar dynamic plays out between the viewer and the director of The Painter and the Thief, as plot twists confound our expectations. After an exhibition, two of artist Barbora Kysilkova’s paintings are stolen. Galerio Miro sídlí v kostele sv. $6,450. When two of artist Barbora Kysilkova’s most valuable paintings are stolen from a gallery at Frogner in Oslo, the police are able to find the thief after a few days, but the paintings are nowhere to be found. Meanwhile, Ree continually draws attention to the process and project of filmmaking, making us aware of his artifice, though also demanding that we invest in the “natural and authentic” relationship on-screen. It turns out to be an unexpected tale of redemption for both of them. Kysilkova’s paintings are worth 10,000 to 20,000 euros each, and the movie initially masquerades as a whodunnit. In an interview with Salon, Ree said that he decided to make a picture about art robberies after finishing his 2016 documentary, Magnus, about the young chess champion Magnus Carlsen. Barbora goes to the trial in hopes of finding clues, but instead she ends up asking the thief if she can paint a portrait of him. BARBAR (Barbora Kysilkova) *1983 in Prague, Czech Republic. Karl Bertil-Nordland, Barbora Kysilkova, Øystein Stene. Barbara Piatti. Instead of pressing the matter, she asks if she can paint his portrait. In Stock. Rocha v areálu Strahovského nádvoří. Barbora Kysilkova: Well, let’s begin with the day of the robbery, itself, when the gallery contacted me and said, “Hey, good morning Barbora. Barbora Kysilkova working on a painting of Karl-Bertil Nordland. Okay, I’ll try more. *Zombie Nation (book cover of novel Zombie Nation by Øystein Stene) 2013 oil on canvas 140 x 200 cm “She sees me very well,” Nordland says, “but she forgets I can see her, too.” Because of the effort and support Kysilkova pours into Nordland’s fragile well-being, he does not remain a passive subject but blossoms into a narrator in his own right. Barbora Kysilkova: “Crime pays," says one of Bertil’s T-shirts. Directed by Benjamin Ree. Young Czech artist Barbora Kysilkova relocates from Berlin to Oslo to launch her career as a painter.

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